碎谈书法艺术—关于草书

作者  崔惠民

Famous calligraphy doctoral supervisor Cui Huimin's "A Brief Discussion on Calligraphy Art - About Cursive Script"

      草书美，勿容置疑，但把草书说成是书法艺术的天花板，高绝于其他书体，那就有失偏颇。各种书体各有其美，都是奇芭。更有甚者把狂草吹上天，说成是九五至尊美轮美奐。这就过了。狂草四家如张旭光等说:我写的你要认识，我就输了。太过分了。再要搞曾翔的那一套，就更过了，那已不是书法，连西方的超现实主义都不配。       

一已之见，供参考

A Brief Discussion on Calligraphy Art

Some even blow the wild grass into the sky, describing it as the magnificent and magnificent Ninth Five Year Supreme. That's it. The four wild grass families, such as Zhang Xuguang, said: If you want to know what I wrote, I will lose. That's too much. If we continue to follow Zeng Xiang's style, it will be even worse. It is no longer calligraphy, and even Western surrealism is not worthy of it.

作者简介

Author Introduction

未了斋主简介:本名崔惠民，原籍深泽县。早年毕业于北京大学西语系，后于人大进修法学。现为河北政法职业学院教授，律师，益乐诗词，闲笔书法。

Unfinished Zhai Master Introduction: His real name is Cui Huimin and his hometown is Shenze County. I graduated from the Spanish Department of Peking University in my early years and later pursued further studies in law at Renmin University. I am currently a professor at Hebei Vocational College of Political Science and Law, a lawyer, proficient in poetry and calligraphy.

主编：若涵

Editor in Chief Ruohan