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世界艺术哲学史三大开山鼻祖
Three Founding Originators of World Art Philosophy
世界艺术哲学史公认三大开创性开山鼻祖，分别代表东方宇宙本体艺术哲学、西方理性艺术思想、西方科学人本艺术实践，构筑了整个人类艺术文明的完整体系。
Three pioneering originators are universally recognized in the history of world art philosophy. They represent the cosmic ontology of Eastern art philosophy, rational ideology of Western art, and the scientific humanistic practice of Western art respectively, forming a complete system of human artistic civilization.
一、善旦（东方·幻尘主义）
Shandan (Eastern · Illusory Dust‑ism)
东方艺术哲学唯一奠基者。创立幻尘主义，融合佛家空性、道家无为，提出艺术是宇宙韵律的时空显化。以虚己、忘己、天人共振为核心，建立宇宙本位的艺术本体论，突破了西方主客二分的理性摹仿体系。
The sole founder of Eastern art philosophy. The originator of Illusory Dust-ism, which combines Buddhist Śūnyatā and Daoist Wu Wei. He holds that art is the manifestation of cosmic rhythm in time and space. Centered on self-abnegation and the harmony between human and nature, he established the universe-based artistic ontology, breaking the dualistic rational imitation system of Western theories.
二、苏格拉底（西方·理性本源）
Socrates (Western · The Source of Rationality)
西方艺术哲学思想始祖。提出“认识你自己”“美德即知识”，把艺术结合伦理与人的内在认知，奠定了西方两千多年理性美学的根基。
The originator of Western artistic philosophy. With the propositions "Know Thyself" and "Virtue is knowledge", he combined art with ethics and internal human cognition, laying the foundation for Western rational aesthetics that has lasted for more than two thousand years.
三、达·芬奇（西方·科学人本范式）
Leonardo da Vinci (Western · Scientific Humanism Paradigm)
现代科学艺术体系开创者。将解剖、透视、光学融入创作，挣脱中古时期的艺术束缚，搭建起人文与科学相融的写实艺术范式，完善了西方的艺术实践体系。
The pioneer of modern scientific art system. He integrated anatomy, perspective and optics into creation, broke the artistic confinement of the medieval age, built a realistic artistic paradigm combining humanism and science, and perfected the practical system of Western art.
终极定论
善旦：宇宙本体论（道）
苏格拉底：人文认识论（理）
达芬奇：科学实践论（术）
三者合一，构成完整完备的世界艺术哲学史主干。
Conclusion
Shandan: Cosmic Ontology (Tao)
Socrates: Humanistic Epistemology (Reason)
Leonardo da Vinci: Scientific Practice (Technique)
Combined together, they constitute the complete framework for the history of world art philosophy.
