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荔波小七孔（七绝）
（中华新韵）
天宜居士
百里瀑溪寒玉净，
一桥七孔卧江中。
村姑踏水谁堪醉？
林下飞歌别有情。
（作者简介:天宜居士，本名夏金峣，贵州人，欧洲大学工商管理博士。北京大学未名湖文学社签约作家。)
点评：
这首《荔波小七孔》以简练的笔触勾勒出贵州荔波小七孔风景区的自然与人文之美。以下为你逐句解析，再作综合鉴赏。
一、逐句解析
第一句：百里瀑溪寒玉净
“百里”：虚指，非精确距离，以空间的延展感勾勒出景区瀑溪连绵的宏阔格局。
“瀑溪”：并列意象，瀑布与溪流并举，展现出水体从动态倾泻到平缓流淌的多样形态。
“寒玉净”：核心比喻。“寒玉”将水比作清凉光洁的美玉，视觉上突出澄澈碧透之色，触觉上传递沁人心脾之凉。“净”字收尾，强调水质之清、环境之幽，纤尘不染。
第二句：一桥七孔卧江中
“一桥七孔”：精准白描，点出标志性古桥的核心特征，看似平淡的计数，实为最朴素的写实笔法。
“卧江中”：“卧”字是点睛之笔。将静态的桥拟人化，赋予其安详、慵懒、悠然的生命姿态，让人感觉桥不是强行横跨，而是与江水相依相偎，历经岁月而气定神闲。
第三句：村姑踏水谁堪醉？
“村姑踏水”：从纯粹的自然景观转向人文活动。村姑形象带来质朴的田园气息，“踏水”动作活泼灵动，可能是浣洗、嬉戏，打破山水之静。
“谁堪醉”：反问句式，意蕴多重——一醉于村姑踏水的灵动画面；二醉于这未经雕饰的生活气息；三以问句邀请读者代入，若你在此景中，是否能抵挡这扑面而来的美？极大地增强了感染力。
第四句：林下飞歌别有情
“林下飞歌”：听觉意象，与前三句的视觉画面形成多感官交响。“飞”字极妙，让歌声具象化，如在林间穿梭、飘扬，灵动欢快。
“别有情”：点明题旨。这情致不是普通的情，而是融合了山水清幽、民风淳朴、生活闲适的独特韵味，是一种远离尘嚣、回归本真的深层感受。
二、综合鉴赏
这首诗以镜头语言层层递进，构筑了一卷形神兼备的山水人文图。
1. 空间与结构：由宏入微，由景及人
全诗布局颇具章法。首句“百里瀑溪”是大广角、长镜头，铺开清冷底色。次句“一桥七孔”将镜头推至中景，聚焦地标。第三句“村姑踏水”进一步推至近景、特写，画面中出现了人，静景顿时化为动景。末句“林下飞歌”镜头再度拉开，虽不见人，但歌声萦绕，是以虚景收束，留白悠长。整体形成“远—近—特—远”的镜头流转，层次分明。
2. 感官与通感：清冷其质，温厚其里
视觉上，寒玉之碧、古桥之朴、村姑之动；触觉上，寒玉之凉；听觉上，飞歌之扬。多重感官交织，尤其是“寒玉净”以触觉写视觉，通感手法纯净凝练。同时，前两句偏冷色调，营造清幽出尘之境；后两句加入人的温度与歌声的暖意，冷暖调和，使整首诗既有冰清玉洁之骨，又有人间烟火之温，恰到好处。
3. 动静与生机：化静为动，点睛之笔
诗人极擅炼字。“卧”字让桥有了生命和态度，“飞”字让无形的歌声有了动态轨迹，“踏”字则赋予村姑以活泼生气。全诗前半段写静景为主，但“卧”字静中含动；后半段“踏水”“飞歌”纯然动态，使画面瞬间鲜活饱满，动静相生。
4. 情感与哲理：陶醉于自然，寄情于淳朴
“谁堪醉”是诗眼。这“醉”既是面对极致自然美的审美陶醉，也是面对田园牧歌式生活的精神向往。“别有情”是这陶醉的注脚，点明诗人所取的并非奇绝壮丽之景，而是这种“清水出芙蓉，天然去雕饰”的纯净与闲适。诗作传递的，是对未经污染的自然生态与纯朴人文生态的双重礼赞。
综评：这首七绝以凝练的笔触、精准的炼字、有序的铺陈，成功勾画出荔波小七孔的神韵。不堆砌典故，不刻意炫技，于平淡中见精巧，于清冷中见温情，是一首富有画面感、现场感与生命感的山水佳作。
Little Seven Holes in Libo (Seven Wonders)
(Chinese New Romance)
A paradise of paradise
The hundred mile waterfall stream is cold and jade-white,
A bridge has seven holes in the river.
Who can be drunk when village aunt runs over the water?
There's no love for flying under the woods.
(Introduction: Tian Yisheng, real name Xia Jinji, a native of Guizhou, PhD in Business Administration at European University.) Peking University does not have a signed writer for the unnamed HKU literary society. )
Comments:
The poem "Little Seven Kongs" in Libo outlines the natural and human beauty of the Little Seven Kongs scenic area in Libo, Guizhou. Here is a sentence-by-sentence explanation for you and a comprehensive appreciation.
I. Explanation by sentence
First sentence: The hundred falls stream is cold and jade clean
"One hundred leagues": an imaginary reference, not an exact distance, which outlines the expansive pattern of waterfalls and streams in the scenic area with a sense of spatial extension.
"Waterfall Creek": Linked imagery, waterfalls and streams stand side by side, showing the diverse morphology of water bodies from dynamic flow to smooth flow.
"Cold jade": core metaphor. "Cold jade" compares water to cool and beautiful jade, highlighting the clear and transparent color visually and transmitting the heart-warming coolness on the touch. The word "clean" ends with an emphasis on the clean quality of the water, the shelter of the environment, and the non-decay of dust.
Second sentence: A bridge has seven holes in a river
"One Bridge, Seven Holes": Precision white drawing that identifies the core features of an iconic ancient bridge, a seemingly mundane counting that is the simplest form of writing.
"Climb in the river": The word "climb" is a brilliant stroke. Humanizing the static bridge gives it a serene, lazy, relaxed life posture, which makes it feel like the bridge is not forcibly crossed, but snuggled with the river and relaxed through the years.
Third sentence: Who can be drunk when the village aunt walks in the water?
"The Village Tap Water": a shift from purely natural landscape to humanistic activities. The village aunt image brings a rustic pastoral atmosphere, and the "trashing" move is lively and dynamic, perhaps washing, playing, and breaking the quiet of the landscape.
"Who Can Be Drunk": a question sentence with multiple meanings - a moving image of a villager getting drunk in the water; I was intoxicated by the unadorned atmosphere of life; Third, ask the reader to enter with a question: If you were in this scene, would you be able to resist the beauty that is coming to you? It greatly enhances infectiousness.
Fourth sentence: There is no love for flying under the woods
"Flying Under the Woods": An auditory image that forms a multisensory symphony with the visual image of the first three sentences. The word "flying" is wonderful to make the song tangible, like moving through the woods, floating, and moving with joy.
"Don't be sorry": specify the point. This sentiment is not ordinary, but a unique flavor that combines the lush landscape, the simple folk style, and the laid-back life. It is a deep feeling that escapes the dust and returns to the true nature.
II. Comprehensive appreciation
The poem progresses layer by layer in the language of the camera, creating a volume of both physical and spiritual landscapes and humanities.
1. Space and Structure: From Perspective to Micro, From Landscape to People
The layout of the whole poem is very structured. The first sentence, "A hundred falls stream," is a large wide angle, a long lens, and a cold background. The next sentence, "One bridge with seven holes," pushes the lens to the middle of the scene and focuses on the landmarks. The third sentence, "The village tramps on water," is pushed further to close-up and close-up, where people appear in the picture, and the still scene instantly becomes a motion picture. The final sentence, "Flying Under the Woods," was once again taken off camera. Although no one was seen, the song lingered, closed in a scene, and remained long in silence. The whole forms a "far-near-distant" lens flow, with a clear hierarchy.
2. Senses and general feelings: cold in nature, warm in nature
In visual terms, the color of cold jade, the elegance of ancient bridges, and the movement of village aunts; To the touch, the coldness of jade is cold; Sounds like a flying song. Multiple senses are intertwined, especially "cold jade" writes visuals with touch, and the universal sense method is pure and conductive. At the same time, the first two sentences are cold tones, creating a calm and dust-free environment; The latter two sentences add the warmth of human temperature and the song, so that the whole poem has both the ice and the coolness of human fireworks, just right.
3. Movement and Life: Turning static into motion, a brilliant stroke
The poet is very good at writing. The word "sleep" gave the bridge life and attitude, the word "fly" gave the invisible song a dynamic trajectory, and the word "tap" gave the village aunt liveliness. The first half of the poem focuses on a still scene, but the word "dorm" contains movement in the stillness. The second half of the "water stepping" and "flying song" are purely dynamic, making the picture lively and full of movement in an instant.
4. Emotions and Philosophy: Eating in Nature, Coming to Nature
"Who can be drunk" is the eye of poetry. This "intoxication" is both an aesthetic intoxication in the face of extreme natural beauty and a spiritual aspiration in the faceof an idyllic life. "Don't be sorry" is this intoxicating footnote, which shows that what the poet took was not a spectacular scene, but the purity and leisure that "rose from water, and was carved from nature." The poems convey a double praise for the unpolluted natural ecology and the pure human ecology.
Review: This seven poem successfully illustrates the charm of the little seven holes in Libo with meticulous brushstrokes, precise writing, and orderly arrangement. Without piling up legends, without trying to show off tricks, there is ingenuity in the bland and warmth in the cold. This is a beautiful landscape work with a sense of image, scenery and life.
高山仰止
龍龘龘
我的梦想，其实就是盛夏那飘逸的云，白璧无瑕，光彩照人。就做一朵云吧，不必因循守旧，便可辉煌一生！不要迷恋这片焦渴土地，不要希望污臭的河水会激浊扬清；不要依靠那一座孤立的山头，不要期盼那一滴滴痛苦的眼泪会变成一颗颗成功的黄金！不要，不要，不要；不要相信投机钻营的党棍会一心为公，不要指望贪得无厌的政客会给你带来好运！不要指望卑鄙无耻的利益集团会盘剥稍停！坚定，坚定，坚定；坚定本来就是我往生的宿命；飘泊，飘泊，飘泊；飘泊其实就是我今生的光影！其实我的生命就是盛夏那一朵飘飘逸的云，蓝蓝的天空证实了我纯洁的秉性，海阔天空，来去自如，高山仰止，风雨不停。
2014年7月18日
（作者简介:龍龘龘，鲁院学员，北大清华校友，未名湖文学社社长，燕园书画研究院秘书长，中国龙网总编辑。)
The admiration of noble virtues
Long Taotao
My dream is akin to the ethereal clouds that drift lazily in the scorching summer heat. Pure and flawless, they shine brilliantly. Just be a cloud! Don’t cling to outdated ways; by doing so, you can achieve greatness throughout your life! Do not be enamored with this parched land, do not hope that filthy rivers will cleanse themselves; do not rely on a solitary mountain peak, nor expect that each painful tear will turn into a treasure of success! No, no, no; do not believe that opportunistic party hucksters are genuinely committed to the public good, or that insatiable politicians will bring you good fortune. Do not expect that despicable and shameless interest groups will cease their exploitation. Be resolute, be resolute, be resolute; resoluteness has always been my destiny. Wander, wander, wander; wandering is indeed the essence of my life’s journey. In truth, my life is like a cloud drifting lazily in the summer heat. The blue sky confirms my pure nature, and I am free to roam vast seas and skies, reaching lofty mountains and enduring storms.
July 18, 2014
(Author bio: Long Dadao, a student at Lu Yuan, an alumnus of Peking University and Tsinghua University, president of the Weiming Lake Literature Society, secretary-general of the Yan Garden Calligraphy and Painting Research Institute, and chief editor of China Dragon Network.)
未名湖文学社头条号组织机构
主 管：北京大学未名湖文学社
主 编：韦元龙
责任编辑：舒晓丽
投稿邮箱：3237866@163.com
来源：北京大学未名湖文学社
The organization of the unnamed Herald Tribune Headline Number
Director: Unnamed HKU Literary Society, Peking University
Editor-in-Chief: Wei Yuanlong
By: Shu Xiaoli
Posting email: 3237866@163.com
