前 言

中新一脉，艺汇南洋。新加坡作为南洋重要的海外华人文化枢纽，更是中华艺术对外传播的重要窗口。先辈跨海南渡，携华夏文脉扎根于此，在多元的土地之上延续东方笔墨风骨，构筑起中新两地文化相通相连的精神纽带。

山海虽隔，艺术无界。本次新加坡人文艺术线上交流展，以云端作展厅，荟萃海内外优秀艺术家原创佳作。以艺为媒，架起跨地域的人文桥梁，让艺术冲破山海距离，实现两地审美互观、文脉共振。

以艺传情，以文聚力。本次线上交流展，依托全媒体传播赓续中华文脉，叙写同根同源的文化情谊，于笔墨品鉴间彰显东方气韵，共谱文化交融的时代新篇。

王富强，笔名乃赓，定居北京，陕西榆林人，生于1961年，早年受教于几位前辈和大师的厚爱，恩受徐悲鸿大师的夫人，廖静文先生，得到悲鸿先生传承人，雕塑家，画马大师雷晓宁先生的真传，皈依中国道教南武当，现为中国道协书画院委员，国家一级美术师，中国书画院副院长，陕西美协会员等职。道法自然，文武兼备，作品形成独特个人风格，笔韵细腻，中西合璧，气势磅礴，体现时代精神，当代实力派画家，是徐派一脉又一代传承人!

王富强先生：创新非遗文化新汉画艺术，借古开今，推承出新，研究传统笔墨技法，开创汉代博大雄浑的文化精神，汲取古汉砖，汉瓦，汉画像石刻之精华，接纳大自然灵气，沟通汉画像石与笔墨之间的灵魂，将佛，道，儒等石刻造像形态，转换成笔墨形态，形成了自己独特的艺术风格，作品古朴典雅，以形传神，以魂统形，悲壮神秘，借古创新，石头里的故事。

Wang Fuqiang, also known by his pen name Naigeng, is a native of Yulin, Shaanxi Province, who currently resides in Beijing. Born in 1961, he received early education and guidance from several predecessors and masters. He was fortunate enough to be mentored by the wife of the renowned artist Xu Beihong, Liao Jingwen, and to learn directly from Mr. Beihong's successor, the sculptor and master of horse painting, Lei Xiaoning. He has embraced the Southern Wudang school of Chinese Taoism and currently serves as a member of the Calligraphy and Painting Academy of the China Taoist Association, a national first-level artist, the vice president of the China Calligraphy and Painting Academy, and a member of the Shaanxi Artists Association. His art reflects a unique personal style, blending Chinese and Western elements with exquisite brushwork and a majestic aura. It embodies the spirit of the times and showcases his contemporary strength as a painter, carrying on the legacy of the Xu school for another generation!

Mr. Wang Fuqiang: Innovating the intangible cultural heritage of new Han Dynasty painting art, drawing from the past to open up the present, promoting and innovating, studying traditional ink techniques, embodying the grand and vigorous cultural spirit of the Han Dynasty, absorbing the essence of ancient Han Dynasty bricks, tiles, and stone reliefs, embracing the spiritual energy of nature, bridging the soul between Han Dynasty stone reliefs and ink, transforming the forms of Buddhist, Taoist, and Confucian stone statues into ink forms, forming his own unique artistic style. His works are simple and elegant, conveying spirit through form, unifying form with soul, solemn and mysterious, innovating through the past, stories within the stones.