Oriental Charm Blooms in Vienna Professor Li Zhaoshun Features in the UN‑hosted Digital Art Exhibition of Renowned Contemporary Chinese Artists
近日，“东方世界 —— 中国当代艺术名家联合国大型数字艺术展”于奥地利维也纳斯特劳斯宫殿隆重举办。本次展览以东方艺术为纽带，搭建中外文化对话的桥梁，汇聚国内众多当代艺术名家佳作，通过大屏滚动展播的形式，向国际友人展现中国当代艺术独有的精神魅力与创新面貌。李兆顺教授受邀参展，其代表性作品亮相本次国际艺术盛会。
Recently, The Oriental World — Grand UN Digital Art Exhibition of Renowned Contemporary Chinese Artists was grandly held at the Strauss Palace in Vienna, Austria. Taking oriental art as a bond, the exhibition builds a bridge for Sino‑foreign cultural dialogue. It brings together fine works by numerous distinguished contemporary Chinese artists. Through large‑screen rolling display, it presents the unique spiritual charm and innovative outlook of contemporary Chinese art to international audiences. Professor Li Zhaoshun was invited to participate in the exhibition, with his representative works showcased at this international art event.
李兆顺，清华大学右脑科学与艺术研究专家，博士生导师、国家一级美术师，中国波画创始人。他深耕艺术与脑科学融合的创新道路，打破传统绘画边界，将自然科学的理念融入笔墨色彩之中，吴冠中先生曾评价：“王维是文人画的首创者，兆顺是自然科学画的开拓者。”
Li Zhaoshun is a research expert on right‑brain science and art at Tsinghua University, doctoral supervisor, national first‑class fine‑arts artist and the founder of Chinese Wave Painting. He has long explored the innovative integration of art and brain science, breaking the boundaries of traditional painting and infusing the concepts of natural science into brushwork and colors. Mr. Wu Guanzhong once commented: “Wang Wei was the originator of literati painting, and Zhaoshun is the pioneer of natural‑science‑inspired painting.”
他笔下的荷塘系列，挣脱传统花鸟的范式束缚。浓郁的青蓝、鲜活的玫红交织碰撞，荷茎挺拔，繁花错落，在泼洒流动的色块间，铺展荷塘蓬勃不息的生命力。色彩不再只是描摹物象的工具，更成为触动心灵的媒介，观者于斑斓画面之中，感受自然生机与视觉共鸣。
His Lotus Pond series breaks free from the established conventions of traditional flower‑and‑bird painting. Rich cerulean blue and vivid rose‑red interweave and collide. Upright lotus stems stand tall amid scattered blooming flowers. Amid splashing, flowing color blocks unfolds the inexhaustible vitality of the lotus pond. Color is no longer merely a tool for depicting objects, but a medium that stirs the soul. Viewers experience the vitality of nature and visual resonance amid these gorgeous, multihued compositions.
而天地山河系列作品，意境更为辽阔。天光流云铺洒大地，水泽连绵，鱼鸟悠然。画家以自由灵动的笔触，融合东方写意情怀与现代艺术表达，将自然万象凝于画面。画作承载着脑科学艺术的独特思考，借光影与色彩唤醒感知，在科学与艺术的交融里，诉说人与自然共生的诗意哲思。
Works of the Heaven‑Earth‑Mountains‑Rivers series boast a more expansive artistic conception. Skylight and flowing clouds spread over the land, with stretches of waters where fishes and birds wander at ease. With free and agile brushwork, the painter integrates oriental free‑spirit painting sentiments and modern artistic language, condensing myriad natural scenes onto canvas. Rooted in the unique thinking of brain‑science‑oriented art, these paintings awaken human perception through light, shadow and colours. At the intersection of science and art, they interpret the poetic philosophy of harmony between human beings and nature.
当东方创新画作亮相维也纳宫殿，跨越山海的艺术语言在此共鸣。李兆顺教授以作品为媒，在国际舞台讲述当代中国艺术家的探索与思考，让兼具科学内核与东方诗意的艺术，走向世界，促进中外文化交流互鉴。
As innovative oriental artworks are unveiled at the Vienna Palace, artistic languages across mountains and oceans resonate with one another. Professor Li Zhaoshun takes his works as a medium to narrate the exploration and reflection of contemporary Chinese artists on the international stage. He brings the art with scientific core and oriental poetic charm to the world and promotes cultural exchanges and mutual‑learning between China and foreign countries.
