中新一脉，艺汇南洋。新加坡作为南洋重要的海外华人文化枢纽，更是中华艺术对外传播的重要窗口。先辈跨海南渡，携华夏文脉扎根于此，在多元的土地之上延续东方笔墨风骨，构筑起中新两地文化相通相连的精神纽带。
山海虽隔，艺术无界。本次新加坡人文艺术线上交流展，以云端作展厅，荟萃海内外优秀艺术家原创佳作。以艺为媒，架起跨地域的人文桥梁，让艺术冲破山海距离，实现两地审美互观、文脉共振。
以艺传情，以文聚力。本次线上交流展，依托全媒体传播赓续中华文脉，叙写同根同源的文化情谊，于笔墨品鉴间彰显东方气韵，共谱文化交融的时代新篇。
任得俊，中国第一个真正实现硬笔书法 艺术化的人，自古以来第一个在硬笔书法作品中提出了传统可以不陈旧，现代可以有根脉的理念的人。还是自古以来第一个在书法作品中隐喻中华民族文化源远流长，奔流不息的人。
Ren Dejun is the first person in China to truly realize the artistic expression of hard-tip calligraphy. He is also the first creator since ancient times to put forward the concept in hard-tip calligraphy works that tradition need not be stale, and modernity can retain its cultural roots. Furthermore, he is the first calligrapher throughout history to embed the metaphor of the long-standing, ceaseless flow of the Chinese nation’s culture within his calligraphy pieces.
目前为止，任得俊一共发布了两套系列作品，一套《乡途心迹》，一套《玄宙遐征》，网络上均可查到。《乡途心迹》向下扎根，《玄宙遐征》向上仰望。这次对《乡途心迹》作一下简要介绍:
So far, Ren Dejun has released two sets of series works: Homeward Journeys and Inner Reflections and Voyages Across the Cosmic Realm, both of which are available online. Homeward Journeys and Inner Reflections takes root deep in the mortal world, while Voyages Across the Cosmic Realm looks upward toward the vast cosmos. Below is a brief introduction to Homeward Journeys and Inner Reflections.
这幅作品中我们能看到两首诗，一首是《田园杂兴》，一首是《小松》。昼出耘田夜绩麻，自小刺头深草里，瞬间感觉一股乡村气息扑面而来，鸡鸣牛叫如在眼前。诗文之外，我们还看到了桑叶，蝈蝈，蜻蜓。诗写景，景映诗，情景合一，意境自生。同时，童孙未解供耕织，也傍桑阴学种瓜，说明农村的孩子从小就扎根在草窝里，有模有样的学着大人忙忙活活。这两句与下一首诗的“自小刺头深草里“形成了丝滑的连接。
Two poems can be appreciated in this work: Miscellaneous Poems on Rural Life and Young Pine.
"By day they weed the fields; by night they spin hemp."
"Since small, it thrusts its pointed head amid tall grass."
Instantly, a breath of countryside washes over us. The crow of roosters and lowing of cattle seem to ring out right before our eyes. Beyond the verses, we also see mulberry leaves, katydids and dragonflies. The poems depict scenery, while the scenery reflects the poems; scene and sentiment merge as one, giving birth to a natural artistic conception.
Meanwhile, the lines: "Young children, not yet versed in farming and weaving, still lean against mulberry trees to learn how to tend the melons" show how rural children grow up rooted in the grassy countryside, earnestly mimicking their elders as they busily go about their work. These two verses connect seamlessly with the line from the second poem: "Since small, it thrusts its pointed head amid tall grass."
这幅作品，我们可以理解为牧童捕蝉的过程。前诗屏息捕蝉，后诗踏暮而归，一来一往，牧童的生活好像很优雅，很诗意，同时两首诗连接也很顺畅。
看到牧童，我们同时也会想起牧童中的天花板--放牛皇帝、要饭皇帝朱元璋的传奇故事。从小食不果腹的朱元璋会不会把蝉捕来烤着吃呢？可以说，绝对会。自行乞漂泊而至君临天下，是真正的“直待凌云始道高”。这样这幅作品与上幅作品形成了很自然的呼应
This work may be interpreted as the whole process of a shepherd boy catching cicadas. The preceding poem depicts him holding his breath to stalk the cicada, while the following poem shows him tramping home at dusk. In this coming and going, the shepherd boy’s life appears graceful and poetic, and the two poems flow together seamlessly.
When we see the shepherd boy, we are reminded of the most legendary “shepherd” of all: Emperor Zhu Yuanzhang, who once herded cattle, begged for food and later founded an empire. As a starving boy struggling to survive, would Zhu Yuanzhang have caught cicadas to roast and eat? Most certainly he would. From wandering as a beggar to ascending the imperial throne, he truly embodied the line: “Only when reaching the clouds will men acknowledge his towering height.” In this way, this piece resonates naturally with the preceding work.
忙则耕耘，闲则小酌闲谈，或为这个世界缝缝补补。
观此作，我们看到:“风卷江湖雨暗村，四山声作海涛翻”。狂风暴雨的天气，难以外出，只能在家拾掇拾掇，或独酌自遣，或邀友小聚。“晚来天欲雪，能饮一杯无?”，这样便和上两幅作品形成了生活场景的呼应。
When busy, we till and tend the land; when at leisure, we sip wine and chat. We mend and patch up this world, little by little.
Viewing this work, we read: Wind sweeps lakes and rivers; rain shrouds the village in gloom, / The roar from four hills rolls like ocean waves. On such stormy days, venturing out is hard. One may tidy up the home, pour wine for solitary comfort, or invite friends for a casual gathering. As night draws near and snow threatens to fall, / Would you care for a cup of wine? In this way, it echoes the life scenes depicted in the previous two pieces.
这幅作品无需多言，很显然是在呼应上幅作品朋友的邀请。抛开非正式理解，作为普通人，与朋友在一起小酌闲谈，天南地北，畅所欲言，无所不谈，自然免不了谈到行乞皇帝，放牛皇帝的传奇故事。
This work speaks for itself. It clearly echoes the invitation from friends depicted in the previous piece. Setting aside informal interpretations, imagine ordinary people gathering with friends over drinks and casual conversation, chatting freely about everything under the sun. Inevitably, they would touch upon the legendary tales of emperors who once begged for alms or herded cattle in their youth.
“便得一年生计足，与君美食复甘眠。”终年辛劳，时至春节，世人暂得安歇。贴春联，新衣加身，亲友相聚，游赏庙会，人间年味融融。此作作为岁末收束，与以上四幅作品又形成了生动的呼应。
“Then one year’s livelihood is fully secured; with you, we may enjoy fine food and sweet sleep.” Toiling all year round, people finally find respite at the Spring Festival. They paste couplets on doorways, put on new clothes, gather with relatives and friends, and wander through temple fairs, bathed in the warm festivity of the world. This work closes the cycle at the year’s end, forming a vivid echo with the preceding four pieces.
以上五幅作品，有意境，有内涵，环环相扣，丝丝相连，基本系统性的描写了很多人的生活状态。
These five works are imbued with artistic conception and profound connotations. Interconnected and intricately linked, they systematically depict the life experiences of many people.
